巧姐(巧姐的名字是谁取的?())

内容来源：西驰智能电气更新时间：2023-06-09 13:37:48

你是不是想了解巧姐的相关内容，下方文本框内是根据关键词巧姐生成的详细文字解说内容。在文本框下方还有跟巧姐相关的素材（来自互联网，禁止商用）、相关话题（来自访客喜好数据）、相关热点（来自24小时内全网热点智能聚合），希望这些内容都可以帮到你。

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在。\u003c/p>\u003cp>《红楼》的收尾词为《飞鸟各投林》，这首词的前半部分有句“有恩的，死里逃生”，纵观整个贾府的所有人物命运，唯独只有巧姐一人经历了真正的“死里逃生”。在这个作品中，巧姐的狼舅奸兄，他们作为巧姐唯一的亲人，竟然沆瀣一气，要将巧姐卖给外藩王爷做妃子。\u003c/p>\u003cp>\u003cimgclass=\"empty_bg\"data-lazyload=\"http://x0.ifengimg.com/res/2019/1B6AB5B8D900B33E6309986F0FABEC3DF05334C2_size84_w641_h446.jpeg\"src=\"data:image/gif;base64,R0lGODlhAQABAIAAAP\"style=\"background-color:#f2f2f2;padding-top:69.57878315132605%;\"/>\u003c/p>\u003cp>巧姐画像\u003c/p>\u003cp>在黑暗腐朽的封建时代，像贾府这样的大家族在败落之时，人们所做之事，竟然骨肉相残，六亲不认，他们想到的是率先满足自己的贪欲。如果没有巧姐这个人物存在，那么贾府的悲剧结局只不过是简单的“树倒猢狲散”，而非黑暗时代里家庭伦理道德的沦丧。\u003c/p>\u003cp>作者为了体现对于道德沦丧现象的悲叹，他巧妙地安排了巧姐这个不起眼的人物，来加深整部文学作品的悲剧性，只有人物如此悲剧的命运，才能够唤起读者对于道德伦理的重视。\u003c/p>\u003cp>\u003cimgclass=\"empty_bg\"data-lazyload=\"http://x0.ifengimg.com/res/2019/D59D5FA833FB308AB6FA4EFB45B142E0BB1E0019_size27_w641_h407.jpeg\"src=\"data:image/gif;base64,R0lGODlhAQABAIAAAP\"style=\"background-color:#f2f2f2;padding-top:63.494539781591264%;\"/>\u003c/p>\u003cp>巧姐剧照\u003c/p>\u003cp>除此之外，巧姐真正的命运结局，相较于“金陵十二钗”中的其他人，其实是最美好的一位，同时也透露着作者对于田园生活梦的向往与追求。她经历过由繁华奢门到门可罗雀的家庭巨变，在故事的最终，巧姐最终的归宿为“美人纺绩”，可以看出巧姐选择了悠闲自在的田园生活。\u003c/p>\u003cp>整部《红楼梦》，随处可见曹雪芹的田园情结，在元春省亲之时，她就感慨过田舍人家的天伦之乐，因为她觉得：“今虽富贵已及，骨肉各方，纵然无趣”；探春也有过同样的感慨，她说小户人家虽然微寒，倒是欢天喜地，大家快乐。\u003c/p>\u003cp>\u003cimgclass=\"empty_bg\"data-lazyload=\"http://x0.ifengimg.com/res/2019/5745DC5F339A3D21F238893F135FD35F134C3F43_size86_w641_h492.jpeg\"src=\"data:image/gif;base64,R0lGODlhAQABAIAAAP\"style=\"background-color:#f2f2f2;padding-top:76.75507020280811%;\"/>\u003c/p>\u003cp>巧姐剧照\u003c/p>\u003cp>巧姐是和她们同样出生的千金小姐，那些被关在繁华府邸里的女子，她们的一生都被囚禁于此，唯独巧姐摆脱了福祸莫测的贵族生活，回归到了田园之中，田园何尝不是曹雪芹的梦想？\u003c/p>\u003cp>所以巧姐这个人物也是一个不可或缺的存在，她既体现出了大家族末落后的悲剧性一面，直接摧毁了道德伦理观；同时又寄托了作者对于田园生活的向往，当这两点加注于巧姐这一人物形象之时，她的重要性也就自然而然的体现出来。\u003c/p>\u003cp>\u003cimgclass=\"empty_bg\"data-lazyload=\"http://x0.ifengimg.com/res/2019/E7A9621038B08CF8F6962EEBC25C684FAE4E2D85_size39_w641_h374.jpeg\"src=\"data:image/gif;base64,R0lGODlhAQABAIAAAP\"style=\"background-color:#f2f2f2;padding-top:58.34633385335414%;\"/>\u003c/p>\u003cp>《庆余年》剧照\u003c/p>\u003cp>关于巧姐在《红楼梦》中的人物意蕴也就告此段落，接下来继续回归最近热播的《庆余年》。最近观看庆余年，加上重读《庆余年》的小说，笔者有这样一个推测，或许作者猫腻在写这部小说之时，从《红楼梦》以及巧姐的判词中，收获了不少灵感。\u003c/p>\u003cp>毕竟这个穿越男主，能够默写《红楼梦》，足以看出作者对于这部小说的爱之深。再来说说小姐判词与主人公以及剧中人物的关联，其实单单就这几句词，就已经贯穿了人物命运始终。\u003c/p>\u003cp>\u003cimgclass=\"empty_bg\"data-lazyload=\"http://x0.ifengimg.com/res/2019/90FEB72DD1089C32149161A1D2A538BBC2534442_size73_w641_h379.jpeg\"src=\"data:image/gif;base64,R0lGODlhAQABAIAAAP\"style=\"background-color:#f2f2f2;padding-top:59.12636505460218%;\"/>\u003c/p>\u003cp>庆帝剧照\u003c/p>\u003cp>范闲作为一个穿越者，能够在那样一个毫无依靠的异世界长大，其实主要依靠他母亲叶轻眉所留下的一切。叶轻眉有着悬壶济世的博爱之心，相较于剧中的任何一个男子，她的胸襟更为广阔。所以在儿子范闲长大成人的路上，才有陈萍萍、范建、五竹这些人相聚身旁。\u003c/p>\u003cp>至于那个高高在上、永远怀疑一切的无情庆帝，虽说不能与《红楼》之中的狠舅奸兄相提并论，不过他也是那两人角色的映衬人物。当然，整部影视剧只是借鉴《留余庆》创造了一个宏大的架空世界，但是从作者所要传递的人文知识，以及背后的思想内涵而论，这绝对是一部值得推敲，值得细细品味的好作品。\u003c/p>","type":"text"}],"currentPage":0,"pageSize":1},"thumbnails":{"image":[{"small":[57,0,513,340],"big":[0,0,641,340],"byte":71680,"width":641,"kbs":"70KB","url":"https://x0.ifengimg.com/res/2019/37BB805335E7657896BE215144009F0759187CDC_size70_w641_h340.jpeg","height":340}]},"isVideoShare":false,"subscribe":{"type":"vampire","cateSource":"大风号","isShowSign":1,"parentid":"0","parentname":"历史","cateid":"1548419","catename":"鸢飞九天","logo":"http://d.ifengimg.com/q100/img1.ugc.ifeng.com/newugc/20190806/22/wemedia/1fc0b301be37aa1c4ca29543c24b07b93e7bc5d4_size58_w200_h200.png","description":"史海钩沉，回忆中华五千年的灿烂历史。","api":"http://api.3g.ifeng.com/api_wemedia_list?cid=1548419","show_link":1,"share_url":"https://share.iclient.ifeng.com/share_zmt_home?tag=home&cid=1548419","eAccountId":1548419,"status":1,"honorName":"","honorImg":"","honorImg_night":"","forbidFollow":0,"forbidJump":0,"fhtId":"4000000006059990630","view":1,"sourceFrom":"","declare":"","originalName":"","redirectTab":"article","authorUrl":"https://ishare.ifeng.com/mediaShare/home/1548419/media","newsTime":"2019-12-2617:07:08","lastArticleAddress":"来自河北省"},"relatedRecommend":[],"shareThumbnail":"https://x0.ifengimg.com/res/2019/37BB805335E7657896BE215144009F0759187CDC_size70_w641_h340.jpeg"},"keywords":"","safeLevel":0,"isCloseAlgRec":false,"hasCopyRight":true,"sourceReason":""};varadKeys=["contentAd","allLookAd","recommendVideoAd","commentTopAd","commentBottomAd","shortRecomAd","openMoreReadAd","recomVideoAd","bottomSlideAd"];var__apiReport=(Math.random()>0.99);var__apiReportMaxCount=50;for(vari=0,len=adKeys.length;i(function(window){if(window.grounds&&window.allData&&window.allData.docData&&window.allData.docData.type&&window.allData.docData.base62Id){if(navigator.userAgent.toLocaleLowerCase().indexOf('android')===-1){if(window.grounds.closeNoAnimation){window.grounds.closeNoAnimation();}else{window.grounds.close();}}else{window.grounds.close();}if(window.allData.docData.type==='slide'){window.grounds.dispatch('slide','https://nine.ifeng.com/GetNewsDocs?aid=ucms_'+window.allData.docData.base62Id);}else{window.grounds.dispatch('doc','ucms_'+window.allData.docData.base62Id);}}})(window)立即打开打开从《庆余年》观《红楼梦》人物之巧姐，两作品究竟有何相通之处？鸢飞九天2019/12/2617:07史海钩沉，回忆中华五千年的灿烂历史。来自河北省近几年的古装剧，网络小说成为主力军，不过，虽说都是由小说改编而来，但是基本上都是以“女频”爆款剧为主。“男频”反而成为改编影视剧中的大空缺。但是，从前段时间的《陈情令》，到今年年底所播出的这部《庆余年》，无疑是给“男频”编剧市场做出了当之无愧的榜样。尤其是最近正在热播的猫腻同名小说《庆余年》，堪称口碑和播放量双丰收的大热剧。剧情、人物角色、服化道，都成为了观众讨论的热点，尤其是对于中国传统文化的推动发扬，更受到社会各界一致好评。范闲剧照讨论完剧情，学习了传统文化，今天笔者想要单纯再次回归到《庆余年》这个电视剧小说、同名的题目，谈一谈这部剧所引出来的《红楼梦》文学。许多文章中都提到了，《庆余年》这个题目，取自金陵十二钗正册中之一的巧姐判词，《留余庆》这首词中。巧姐是王熙凤之女，她也是为这十二人之中年龄最小的一位，虽说位列十二钗正册，其实，整部《红楼梦》中，关于巧姐这一人物的角色笔墨并不多，从作者所描写人物的分量来看，她甚至是作者所费笔墨最少的一位。《留余庆》判词读《红楼》时，一般都会特别关注书中人物命运，尤其是位列“正册”的“金陵十二钗”，除了巧姐一人之外，其余的11人，从林黛玉、薛宝钗，再到秦可卿、迎春、元春、惜春、妙玉等人，都有相当精彩的篇幅来诉说她们各自的命运，突出她们的人物性格。所以，这些姑娘会让读者记忆深刻，甚至在知晓她们的结局以后，会令读者黯然掩卷、扼腕长叹。《红楼梦》剧照可是对于贾巧姐，想必多数人都没有留下深刻印象，首次在第7回出场的巧姐，只是借旁人之口，让读者知晓王熙凤还有一个小名为“大姐儿”的姑娘存在；第41回出场时，巧姐仍然只是一个不谙世事，换着大柚子和佛手来回玩儿的小姑娘；第42回刘姥姥为她取名。等到巧姐再次出场，贾府早已经一败涂地，她也经历了被狠舅奸兄串通出卖，流落烟花巷之事，幸好刘姥姥念着娘亲王熙凤的旧情，巧姐由刘姥姥做媒，嫁给了大地主。如此看来，贾巧姐的身世结局，简单又直白的体现在判词之中。巧姐剧照关于巧姐部分，虽然笔墨不多，但是她绝对有存在的必要性。因为在贾府落败以后，才是家庭伦理与世态炎凉的终极体现，这也是曹雪芹所创造巧姐这个人物目的所在。《红楼》的收尾词为《飞鸟各投林》，这首词的前半部分有句“有恩的，死里逃生”，纵观整个贾府的所有人物命运，唯独只有巧姐一人经历了真正的“死里逃生”。在这个作品中，巧姐的狼舅奸兄，他们作为巧姐唯一的亲人，竟然沆瀣一气，要将巧姐卖给外藩王爷做妃子。巧姐画像在黑暗腐朽的封建时代，像贾府这样的大家族在败落之时，人们所做之事，竟然骨肉相残，六亲不认，他们想到的是率先满足自己的贪欲。如果没有巧姐这个人物存在，那么贾府的悲剧结局只不过是简单的“树倒猢狲散”，而非黑暗时代里家庭伦理道德的沦丧。作者为了体现对于道德沦丧现象的悲叹，他巧妙地安排了巧姐这个不起眼的人物，来加深整部文学作品的悲剧性，只有人物如此悲剧的命运，才能够唤起读者对于道德伦理的重视。巧姐剧照除此之外，巧姐真正的命运结局，相较于“金陵十二钗”中的其他人，其实是最美好的一位，同时也透露着作者对于田园生活梦的向往与追求。她经历过由繁华奢门到门可罗雀的家庭巨变，在故事的最终，巧姐最终的归宿为“美人纺绩”，可以看出巧姐选择了悠闲自在的田园生活。整部《红楼梦》，随处可见曹雪芹的田园情结，在元春省亲之时，她就感慨过田舍人家的天伦之乐，因为她觉得：“今虽富贵已及，骨肉各方，纵然无趣”；探春也有过同样的感慨，她说小户人家虽然微寒，倒是欢天喜地，大家快乐。巧姐剧照巧姐是和她们同样出生的千金小姐，那些被关在繁华府邸里的女子，她们的一生都被囚禁于此，唯独巧姐摆脱了福祸莫测的贵族生活，回归到了田园之中，田园何尝不是曹雪芹的梦想？所以巧姐这个人物也是一个不可或缺的存在，她既体现出了大家族末落后的悲剧性一面，直接摧毁了道德伦理观；同时又寄托了作者对于田园生活的向往，当这两点加注于巧姐这一人物形象之时，她的重要性也就自然而然的体现出来。《庆余年》剧照关于巧姐在《红楼梦》中的人物意蕴也就告此段落，接下来继续回归最近热播的《庆余年》。最近观看庆余年，加上重读《庆余年》的小说，笔者有这样一个推测，或许作者猫腻在写这部小说之时，从《红楼梦》以及巧姐的判词中，收获了不少灵感。毕竟这个穿越男主，能够默写《红楼梦》，足以看出作者对于这部小说的爱之深。再来说说小姐判词与主人公以及剧中人物的关联，其实单单就这几句词，就已经贯穿了人物命运始终。庆帝剧照范闲作为一个穿越者，能够在那样一个毫无依靠的异世界长大，其实主要依靠他母亲叶轻眉所留下的一切。叶轻眉有着悬壶济世的博爱之心，相较于剧中的任何一个男子，她的胸襟更为广阔。所以在儿子范闲长大成人的路上，才有陈萍萍、范建、五竹这些人相聚身旁。至于那个高高在上、永远怀疑一切的无情庆帝，虽说不能与《红楼》之中的狠舅奸兄相提并论，不过他也是那两人角色的映衬人物。当然，整部影视剧只是借鉴《留余庆》创造了一个宏大的架空世界，但是从作者所要传递的人文知识，以及背后的思想内涵而论，这绝对是一部值得推敲，值得细细品味的好作品。打开APP阅读更多精彩内容vardocDataInfo=(allData&&allData.docData)||{};window.wxShareConfig=({title:docDataInfo.title,img:docDataInfo.shareThumbnail||'',desc:((!docDataInfo.quanPlugin||docDataInfo.quanPlugin=='{}')&&docDataInfo.shareSummary)||'',appType:docDataInfo.isVideoShare?'videoApp':'newsApp',shareSuccess:function(){//触发成功回调事件wxShareTool.triggerEvent('wxShareEvent');//添加成功回调事件//window.wxShareTool.addEvent((value)=>{});}});IfengAmgr.start()